How Do Photographers Upload Multiple Images on Facebook to Fit in Frames Youtube
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For Photoshop versions before than Photoshop CC, some functionality discussed in this commodity may be available only if you lot have Photoshop Extended. Photoshop does non take a divide Extended offering. All features in Photoshop Extended are part of Photoshop.
Open or import a video file
In Photoshop, y'all can open a video file direct or add video to an open up document. When you lot import video, the image frames are referenced in a video layer.
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To open up a video file direct, choose File > Open up.
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To import video into an open certificate, choose Layer > Video Layers > New Video Layer From File.
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In the Open up dialog box, for Files Of Type (Windows) or Enable (Mac OS), choose either All Readable Documents or QuickTime Movie.
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Select a video file and then click Open.
You can besides open video directly from Bridge: Select a video file and so cull File > Open With > Adobe Photoshop.
Import image sequences
In Photoshop, when yous import a folder of sequenced image files, each prototype becomes a frame in a video layer.
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Make certain that the image files are in one folder and are named sequentially.
The folder should contain simply those images you want to use as frames. The resulting blitheness volition exist more successful if all files have the same pixel dimensions. To order frames correctly for the animation, name the files in alphabetical or numeric order. For example, filename001, filename002, filename003, and so forth.
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To open up an image sequence direct, choose File > Open up.
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To import an image sequence into an open document, choose Layer > Video Layers > New Video Layer From File.
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In the Open up dialog box, navigate to the folder with paradigm sequence files.
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Select one file, choose the Paradigm Sequence option, and then click Open.
Selecting more than than one file in an image sequence disables the Image Sequence option.
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Specify the frame rate, and click OK.
Place a video or image sequence
In Photoshop, utilize the Place command if you lot want to transform the video or image sequence as yous import information technology into a document. Once placed, the video frames are contained within a Smart Object. When video is contained past a Smart Object, you lot can navigate through the frames using the Animation console, and you can also apply Smart Filters.
You can't paint or clone directly on video frames contained by a Smart Object. Still, you can add a blank video layer above the Smart Object, and paint on the blank frames. You tin also use the Clone tool with the Sample All Layers option to pigment on blank frames. This lets you use the video in the Smart Object as a cloning source.
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With a document open, choose File > Identify.
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In the Place dialog box, exercise i of the following:
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Select a video file and click Place.
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Select 1 image sequence file, select the Image Sequence option, and then click Identify.
Make sure all the image sequence files are in one folder.
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(Optional) Use the control points to scale, rotate, movement, or warp the imported content.
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Click the Commit Transform push button in the options bar to place the file.
You can besides place video direct from Adobe Bridge. Select the video file and so choose File > Place > In Photoshop.
Reload footage in a video layer
If the source file for a video layer is modified in a different application, Photoshop by and large reloads and updates the footage, when yous open the document containing the video layer referencing the changed source file. If your certificate is already open and the source file has been modified, use the Reload Frame control to reload and update the current frame in the Animation console. Navigating through the video layer using the Previous/Side by side Frame or Play button in the Blitheness console should also reload and update the footage.
Replace footage in a video layer
Photoshop tries to maintain the link betwixt the video layer and source file fifty-fifty if you move or rename the source. If the link breaks for some reason, an warning icon appears on the layer in the Layers console. To relink the video layer to the source file, employ the Supersede Footage command. This command can also replace the video or image sequence frames in a video layer with frames from a different video or prototype sequence source.
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In the Timeline, or Layers panel, select the video layer that you want to relink to the source file or to supercede the content.
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Cull Layer > Video Layers > Replace Footage.
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In the Open dialog box, select a video or image sequence file, and so click Open.
Interpreting video footage
Interpret video footage
Yous tin can specify how Photoshop interprets the blastoff channel and frame charge per unit of the video you lot've opened or imported.
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In the Timeline, or Layers panel, select the video layer that you want to interpret.
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Choose Layer > Video Layers > Interpret Footage.
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In the Interpret Footage dialog box, do any of the post-obit:
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To specify how the alpha channel in the video layer is interpreted, select an Alpha Channel pick. The footage must take an blastoff channel for this option to be available. If Premultiplied-Matte is selected, you can specify the matte color with which the channels are premultiplied.
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To specify the number of video frames played per second, enter a Frame Charge per unit.
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To color-manage the frames or images in a video layer, choose a contour from the Color Profile menu.
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Alpha channel interpretation in video and image sequences
Video and epitome sequences with alpha channels can exist straight or premultiplied. If you're working with video or image sequences containing alpha channels, it's important to specify how Photoshop interprets the alpha channel to get the results you expect. When premultiplied video or images are in a document with sure background colors, it's possible to become undesirable ghosting or halos. You lot can specify a matte color so the semi-transparent pixels blend (multiply) with the background without producing halos.
Ignore
Ignores the blastoff channel in the video.
Straight-Unmatted
Interprets the alpha channel as straight blastoff transparency. If the awarding yous used to create the video doesn't premultiply the colour channels, select this pick.
Premultiplied-Matte
Uses the alpha channel to make up one's mind how much of the matte colour to mix with the color channels. If necessary, click the color swatch in the Interpret Footage dialog box to specify the matte colour.
Source: https://helpx.adobe.com/photoshop/using/importing-video-files-image-sequences.html
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